Earlier this year, the architecture world was in shock after a story made the rounds that a Zaha Hadid designed project in Beijing is being pirated by a developer in Chongqing. What’s surprising about this story is not the actual copying of Hadid’s design but the reaction from the design media, as if this is the first incidence of architectural piracy in China.
Of course this is not the case as building designs are routinely copied in China. However, what makes this instance unique is that while Hadid’s design (Wangjing SOHO) is still under construction, the copied version (Chongqing Meiquan 22nd Century) is set to complete first. Pan Shiyi, Board Chairman of SOHO China, Hadid’s client, has not kept quiet about his disapproval, and is now taking legal action against the developers in Chongqing. View full post »
The widespread pirating of architectural motifs in China’s developing urban landscape is a well-documented phenomenon. From Alpine Villages to starchitect-designed superstructures, Chinese builders often seem to have no shame in copy and pasting designs originating from far away places.
This perplexing and culturally intriguing topic is the subject of a new book by Bianca Bosker, Executive Tech Editor for The Huffington Post. Original Copies: Architectural Mimicry in Contemporary China (University of Hawaii, 2013) examines the trend of “duplitecture” in China – the construction of monumental, themed communities that replicate the cities and towns of the West, frequently drawing on historical European archetypes.
Bianca was nice enough to answer some questions to help give us a better idea of what her book is about: View full post »
The following post was written by John Yuan, a Chinese-American architect who worked on the design of the Bank of China building in Hong Kong during his tenure as an employee of I.M. Pei’s architectural practice:
Since first returning to visit Hong Kong around the time of the handover to China in 1997, I noticed that Bank of China Tower appeared strikingly different at night during subsequent visits over the next decade. I never imagined that the exterior lighting scheme for the tower would ever be altered from the original design done by Fisher Marantz, the lighting consultant to I.M. Pei’s office on the project.
Even from the beginning of the design process, illuminating the tower at night posed great challenges. The tower stands over 300 meters tall and has an exterior covered mostly in reflective glass- characteristics which both posed difficulties for the nighttime lighting design. View full post »
The following piece appears in the new issue of the architecture journal CLOG:RENDERING
Urban Fantasies in China: Architectural Visualization
Architectural visualization specialists are the overlooked laborers involved in the vast China urban development program. They differ from architects in that they do not have design training beyond very specific knowledge of software programs such as 3D Studio Max© or the Adobe Creative Suite©. While some Chinese architecture firms employ in-house visualization specialists, most rendering work is outsourced to gigantic three-dimensional modeling studios.
Stepping into one of these studios is much like walking into a factory (one office can employ upwards of one thousand people), but instead of workers assembling widgets along conveyer belts, rows of workers hunch over their desktop computers for hours on end, producing images to be used in presentations to high-level officials or real estate marketing brochures. Just as in a factory, workers are assigned to one specific task: three-dimensional modeling, rendering (material and camera view selection) or post-production work in Adobe© Photoshop© – there is no overlap in roles. View full post »