Go West Project at the Chengdu Biennale

I had the privilege of sitting in on a round-table discussion led by the ‘Go West Project‘ at the Chengdu Biennale this past weekend. Go West Project is an independent think-thank based in Shanghai founded by two Dutch nationals, Michiel Hulshof, a journalist, and Daan Roggeveen, an architect. For the past two years, Hulshof and Roggeveen traveled around the country documenting the phenomenon of urbanization in China’s lesser-known cities (hence the name ‘Go West‘).

Their research culminated in a recently released book titled How the City Moved to Mr. Sun. The title refers to one of the several personal narratives they encountered in their travels. Mr. Sun, a corn farmer in a village on the outskirts of Shijiazhuang, capital of Hebei Province, saw his land seized by authorities nearly 20 years ago. Like many of the other villagers, he used the compensation money to develop his own 4-storey ‘mixed-use’ building complete with retail space on the ground floor, living space on the 2nd and 3rd floors and a small group of guestrooms for migrant workers on the 4th floor. On the roof, Mr. Sun created an organic garden to continue doing what he knew how to do best.

Inevitably, the pace of urbanization caught up to Mr. Sun once again, and after about a 10 year run of profitability, his self-developed building was razed by bulldozers. He reluctantly gave in and accepted compensation and now lives with his wife in a modern high-rise residential tower block where ‘he doesn’t know any of the neighbors’. Continue reading

The Guangzhou Opera House: An Architectural Review

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A few months ago I visited the recently opened Guangzhou Opera House, designed by renowned British-Iraqi architect Zaha Hadid. The project represents a new era in cultural development for Guangzhou and China. Drawing inspiration from the adjacent Pearl River, the project is conceived as  ‘pebbles in a stream smoothed by erosion’.

Guangzhou (0nce known as Canton) is one of China’s great cities, with a long history and unique culture. Sitting in the Pearl River Delta, the city was once China’s gateway to the world, serving as the country’s primary hub of international trade. Today Guangzhou remains an important city as it is the capital of prosperous Guangdong Province.

Yet as China has developed in recent years, Guangzhou has ceded some of its historic luster. No longer is Guangzhou China’s gateway to the world as nearby Hong Kong has taken that title. The special economic zone of Shenzhen, also nearby, dominates international headlines with its rapid development and status as China’s symbol modern prosperity.

Yet what Shenzhen and Hong Kong lack in culture, Guangzhou makes up for with its proud sense of the past. The opera house is an attempt to regain some of its cultural dominance in southern China. Continue reading

Smith + Gill Win Competition to Design Greenland Center in Wuhan

Back in December we mentioned the plans to build a supertall building in Wuhan (Wuhan To Get World’s 3rd Tallest Skyscraper) but had no further information about the design. Now we have confirmation that Chicago-based architecture firm and supertall building experts Adrian Smith + Gordon Gill have won the competition to design the Greenland Center in Wuhan.

According to the press release, the Greenland Center is set to rise to a height of 606 meters (1,998 feet), making it a the third-tallest building in China and the fourth-tallest in the world. The developer, Greenland Group, previously worked with Adrian Smith and Gordon Gill on another supertall tower in China, the Nanjing Greenland Financial Center. Continue reading

Fake European Villages in China

‘British Style’ Villa in China

China is known as the world’s hub for production of fake goods. Counterfeiting everything from electronics to clothing and more sinisterly, drywall and milk powder, is an ongoing problem that needs to be addressed. Fortunately the Chinese government is becoming more active in cracking down on individuals involved in intellectual property theft and the production of harmful goods.

Counterfeiting also happens at the urban scale in China. Recently developers from Guangdong Province have taken to planning an exact replica of the Austrian Alpine village of Hallstatt.

Unlike producing fake consumer goods,  the legality of appropriating architectural styles from overseas is not clearly defined. In the case of Hallstatt there may be some legal grounds against the Chinese developers due to the village’s status as a UNESCO Heritage site. Continue reading

Chinese Architectural Heritage and the Role of Foreign Architects

Competition Winning Entry for China Comic and Animation Museum in Hangzhou, by Dutch Architects MVRDV

I am often asked about the role of foreign architects working in China – particularly why China even needs foreign architects when there are many qualified Chinese architects. The answer is simple, albeit not the most politically correct: if we compare a piece of architecture to a consumer good, most Chinese buyers of luxury products will opt for a foreign name brand.

The same goes for Chinese developers building high-end real estate. This issue is pondered in an article on eChinacities titled “Foreign Architects in China: Innovation at the Cost of Culture?” Citing well-known examples of high-profile construction projects such as the CCTV Building and Olympic ‘Bird’s Nest’ Stadium in Beijing and the Liujiazui supertall towers in Shanghai, the article’s author wonders if these innovative pieces of architecture come at the expense of Chinese architectural culture. Continue reading